Pete's mission is simple: to keep his promise and bury his friend in his own land. It's the story of a man killed in Texas and a friend -- played by Jones -- who fulfills his wish to be buried in Mexico. Flannery O'Connor wouldn't have had it any other way. Along a desolate stretch of Texas, a jeep makes its way down a winding road. When brash Texas border officer Mike Norton wrongfully kills and buries the friend and ranch hand of Pete Perkins, the latter is reminded of a promise he made to bury his friend, Melquiades Estrada, in his Mexican home town. Tommy Lee Jones is both behind and in front of the camera for his latest filmThe Three Burials of Melquiades Estrada. Despite a tongue-twister title and a rhythm so leisurely it occasionally slows to a visual drawl, the ruminative Western set amid the rugged mesas of Texas unfolds in a measured, but sure-handed, manner, paying dividends in honest emotion. International (58.3%) $7,017,678. Along the way grim humour is derived from Pete conducting a one-sided conversation with the deteriorating corpse which is preserved with an infusion of anti-freeze. Norton's wife is shown as she decides to leave the border town to return to her home town of Cincinnati. Jones must feel similarlyin this film violence is often the forerunner of an epiphany, and God's providence works in strange and mysterious ways. Jones' direction is astonishingly assured, and so is his performance. My full review is at Looking Closer, and other Christian critics are praising Jones' work as well. This is extremely refreshing and positive. ", David DiCerto (Catholic News Service) says, "Without being pedantic or overly sentimental, The Three Burials of Melquiades Estrada is an affecting study of loneliness and the human need for connection that ends on a quietly moraleven redemptivenote, as death ultimately serves to illuminate life. Some of the hidden connections produce ironies that only we understand, since the characters don't know as much about each other as we do. The film was inspired by the real-life killing in Texas of a teenager, Esequiel Hernandez Jr, by United States Marines during a military operation near the United StatesMexico border[8] as well as the novel As I Lay Dying by William Faulkner, which contains the same plot premise and challenges encountered in the film.[9]. Substituting rural Texas for O'Connor's South, Mr. Jones and screenwriter Guillermo Arriaga have created a modern-day Western so hard and brutal as to earn . "One of our country's finest exports for 75 years, the dramatic story where lonely heroes fight desperate but victorious battles, where the good guys always win and the desperadoes get what they deserve, has been dealt a possibly fatal wound." Contents. Melquiades' body is found and is reburied in a local cemetery by the sheriff's office. Tommy Lee Jones invited the Mexican novelist and screenwriter, Guillermo Arriaga, to write a film for him to direct. This is a hard land for men, and a heartbreaking one for women. Watch Three Burials of Melquiades Estrada. Click for reprint information. Screenwriter Guillermo Arriaga (Amores Perros, 21 Grams) develops all of his characters into convincing and unpredictable human beings. Until a chance encounter with my moms old Bible opened my eyes. Without being pedantic or overly sentimental, [this film] is an affecting study of loneliness and the human need for connection that ends on a quietly moraleven redemptivenote, as death ultimately serves to illuminate life.". Home is where the heart is. Theres no place like home. And, of course, ones identity is inextricably linked to where they are from. To Pete, of course, he is a close friend worth dying over. Perkins and Norton repair the walls, construct a new roof and bury Melquiades for the third and final time. The second affords him an identity which he would not desire. She reluctantly consents to save the guards life, but takes her payment in the form of smashing a coffee pot over Nortons face. As with O'Connor, these brutalities are anything but random. It's the story of a man killed in Texas and a friend -- played by Jones -- who fulfills his wish to be buried in Mexico. The Three Burials, a Western, follows the journey of ranch foreman Peter Perkins as he strives to recover the dead body of his friend and bring it back home to Mexico. This is a process involving a good deal of gruesome labor. Now Mike is going to dig up Melquiades' body, and the two men are going to ride into Mexico, return the dead man to his village and give him a proper burial. At one point the duo encounter a group of Mexican cowboys watching American soap operas on a television hooked up to their pickup truck. In the end, though Nortons quest has been thrust upon him, his was more of an internal quest to find himself rather than to find anything or anyone. This is underlined by having the manly, desirable cowboy Pete and the exotic vaquero Estrada go on a double date to a motel with two women in need of sexual satisfaction. You can add text widgets here to put whatever you'd like. Rachel, in this instance, acts as the sheltering and comforting masculine figure that he can whine to without reprisal, with complete understanding, however ironic her position as the wife of the local diner owner or her apparent apathy. Yet the story also illustrates the 'action of grace' in unlikely characters and unlikely places, bearing more than a superficial ancestral connection to O'Connor's faith-infused stories. Perkins undertakes a journey on horseback into Mexico with the body tied to a mule and his captive Norton in tow. The killer turns out to be Mike Horton (Barry Pepper), a jittery and violent new member of the Texas Border Patrol, who just arrived in the area with his young wife Lou Ann (January Jones). Actor Tommy Lee Jones also directs The Three Burials of Melquiades Estrada. The Three Burials of Melquiades Estrada is a spiritual exploration so profound and complex that it's impossible to take it all in with one viewing. It's a smart move; Jones' exposition subtly and efficiently tells us everything we need to know about our characters. The title of the film and the various title cards are in both English and Spanish. The film has many flashbacks and sometimes the same event is shown from different perspectives. Finally, they arrive at town that Estrada had said was close to his hometown of Jiminez except that nobody there has ever even heard of a town called Jiminez. The story is so stirring, the style so poetic, that Jonathan Rosenbaum (The Chicago Reader) rates it as "a masterpiece.". Realizing his tragic mistake and fearful of the consequences, Norton proceeds to bury the body rather than report the accident. However, burial at sea and cremation accomplish the same thing and carry out the task in a much more efficient and effective manner. (Not in the Brokeback waymore in the Frodo/Sam way.). Actor Tommy Lee Jones also directs The Three Burials of Melquiades Estrada. Tommy Lee Jones' directorial debut, The Three Burials of Melquiades Estrada, is indeed about two guys in cowboy hats who are close friends. Instead, his role in his questioned at every turn, especially when he defiantlyburies Melquiades the second time against the rules of Petes quest to honour the last wishes of his close friend and to exact revenge on the man that murdered him. Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. Actor Tommy Lee Jones also directs The Three Burials of Melquiades Estrada. We meet two in particular. O'Connor believed that man's depravity renders him almost deaf to the truth, and that sometimes the only way for revelation to occur is for the truth to be broadcast through a megaphone. In the process of exhuming the body, the corpse actually falls back on Norton, briefly trapping him and injuring him to boot. But there are other reasons that Boone should quit worrying about the state of the Western. The jeep carries two older men, both equipped with rifles, with eyes sharp . Nevertheless, the sheriff finds himself involved when Nortons supervisor invites the sheriff to step outside the caf where a waitress hes having an affair with, Rachel, works. He welcomes them, offers them what he has, then makes a haunting request. But ultimately, they are just gears in the machinery of a narrative which makes the The Three Burials of Melquiades Estrada about just one thing: the elusive nature of identity. "Jones' direction is astonishingly assured, and so is his performance. Jones proves to be an efficient storyteller, and keeps things moving at a relatively brisk pace, but the story is told as much through imagery and symbolism as through traditional narrative. About The Three Burials of Melquiades Estrada, The Three Burials of Melquiades Estrada Summary, Read the Study Guide for The Three Burials of Melquiades Estrada, View Wikipedia Entries for The Three Burials of Melquiades Estrada. It is clear to Sheriff Belmont that Perkins has kidnapped Norton, and so police officers and the Border Patrol begin to search for them. It . 30.6K subscribers Directed by and starring Tommy Lee Jones, "The Three Burials of Melquiades Estrada" looks like an ordinary Western, featuring a quest for justice and a hero who is an outlaw.. As the title implies, Three Burials is a movie about death, but, more than that, it's a movie about friendship, grace, justice, and above all redemption. The cinematography is effective without ever being flashy. The captivity, the tiring journey, and the rotting corpse slowly take a profound psychological toll on Norton. Soon enough, Melquiades and Pete Perkins (Tommy Lee Jones), become friends and work partners. Also attractive is the love Jones clearly feels for the rolling plains and surrounding mountains of this harsh, unyielding country with which the settler must come to terms. Consider the character of Pete. The narrative is constructed in a non-linear fashion, meaning the events are not told chronologically. The hazardous journey on which he takes Estrada's killer re-creates this legendary past. To unlock this article for your friends, use any of the social share buttons on our site, or simply copy the link below. The film only exists because the narrative tells a story about trying to give Estrada his identity through a proper and dignified burial. Melquiades Estrada, a Mexican undocumented worker working in Texas as a cowboy, shoots at a coyote which is menacing his small flock of goats. In 1997, a group of marines, purportedly on a drug interception mission, shot and killed 18. It's the story of a man killed in Texas and a friend -- played by Jones -- who fulfills his wish to be buried in Mexico. The Three Burials of Melquiades Estrada 2005 R 2 h 1 m IMDb RATING 7.3 /10 41K YOUR RATING Rate Play trailer 1:54 1 Video 99+ Photos Adventure Crime Drama Ranch foreman Pete Perkins looks to fulfill the promise to his recently deceased best friend by burying him in his hometown in Mexico. The Three Burials of Melquiades Estrada (also known as Three Burials) [6] is a 2005 neo-Western film [3] directed by and starring Tommy Lee Jones and written by Guillermo Arriaga. This subtly suggests that the mystery of someone elses identity is often constructed perceptually as being based on what they can see from where they stand. Only later is it revealed that Mike accidentally killed Estrada and concealed the body. The film is opening around the country today. Cast information Crew information Company information News Box office. Browse 60+ years of magazine archives and web exclusives. Perkins had promised Melquiades that he would bury him in his home town of Jimnez, if he died in Texas. When Melquiades is killed in a stupid shooting involving a rookie agent for the Border Patrol, Pete sees that the local sheriff (Dwight Yoakam) is going to ignore the case. He is a man who never puts two and two together without getting exactly four. . Their preoccupation with meeting for sexual rendezvous makes liars and cheaters out of both of them, and wreaks havoc on their families. Actor Tommy Lee Jones also directs The Three Burials of Melquiades Estrada. Like Melquiades' hometown of Jiminez, it's a film that can only truly be seen through the eyes of faith, with one foot on Earth and the other in the Kingdom. [His] excesses distract from a film that is otherwise extraordinary for its concern with guilt, judgment, and redemption.". Norton, on the other hand, is still fighting with his dishonourable former self to escape emotionally into his emotionless past. It is clear to Sheriff Belmont that Perkins has kidnapped Norton, and so police officers and the Border Patrol begin to search for them. Jones describes it a "journey" movie. Jones is most at home in characters who mean business and do not suffer fools gladly. Jones describes it a "journey" movie. She does visibly react to a photograph Perkins shows her of Melquiades standing behind her and her children, stating that she does "not want to get in trouble with her husband". The very title of the film hints suggestively at this assertion. Pete Perkins, a rancher and Melquiades' best friend, finds out from a waitress, Rachel, that the killer was Norton. The first affords him no identity. 99. . The captivity, the tiring journey, and the rotting corpse slowly take a profound psychological toll on Norton. $22.99 $ 22. It contains whatever message Jones finds at the end of the journey. For the person whose identity they are trying to construct, their self-identity is based on the fluidity of when they were rather than where they were. Get the best from CT editors, delivered straight to your inbox! He doesn't explain the significance of this, nor does he need to; the power of the imagery is not lost on us, nor on Mike. Actor Tommy Lee Jones also directs The Three Burials of Melquiades Estrada. Lou Ann Norton (January Jones) is the wife of Mike Norton (Barry Pepper), the Border Patrol officer. If I die over here, carry me back to my family and bury me in my home town. The program is the same episode that was airing when Norton had sex with his wife in their trailer earlier in the movie. What gathers in this story of lonely men and deep impulses is a kind of grandeur; Tommy Lee Jones plays Pete Perkins not as a hero but as a man who looks at what has happened to his friend and responds according to the opportunities at hand. And yet Pete can no more provide a genuinely accurate portrait of Estradas identity than the man who kills him. After all, Pete is a seasoned Texas border cattleman. And not simple justice, which might involve killing the agent, but poetic justice, which elevates the movie into the realms of parable. The girl they find for Estrada is the wife of the Border Patrolman, who by this stage we know is to be his killer. Pete has begun to trust Norton, but Norton does not trust himself. It uses material from the Wikipedia article "The Three Burials of Melquiades Estrada". Here he plays Pete Perkins, the hard-working operator of a small cattle operation, who hires an illegal Mexican immigrant named Melquiades Estrada (Julio Cedillo) to work as a cowboy for him. Copyright 2006 Christianity Today. Following his encounter with a snake, Norton is recaptured and taken to a healer, the same immigrant woman whose nose he broke weeks before as she was attempting to escape Norton as border patrol agent. Belmont sees them heading towards the Mexico border, but as he takes aim at Perkins, he can't bring himself to shoot and returns to town, leaving the pursuit to Border Patrol. He beats up a woman trying to enter the country, and is told by his commander, You were way overboard there, boy. He lives in a mobile home with Lou Ann, who watches soap operas during sex and hangs out at the diner with Rachel because there is absolutely nothing else to do. Besides, they already buried the body. These notes were contributed by members of the GradeSaver community. This is a hard land for men, and a heartbreaking one for women. When he goes to check on the person he shot, he realizes that the man is not yet dead. The Three Burials of Melquiades Estrada tells the kind of story that John Huston or Sam Peckinpah might have wanted to film. 52. Norton hardly feels anything himself, existing in a vacuum of apathy, existing as a zombie except when he is capturing and beating Mexican individuals attempting to cross the border. Pete takes the casings to the sheriff with the expectation that he will investigate the Border Patrol. You can help us out by revising, improving and updating And that term is being generous. No other film since John Ford's The Man Who Shot Liberty Valance (1962) has offered so sustained a rumination on the classic Western as Tommy Lee Jones's The Three Burials of Melquiades Estrada (2005). As for the rest, the journey of his body and the burials of Melquiades Estrada are like an opportunity for all of the characters in the movie to discover who they are and what they are made of. And if Boone looked around at the other films playing alongside Brokeback Mountain in theaters, he'd find another internationally acclaimed film full of big hats, dusty horses, loaded guns, and love of the heterosexual kind. He does not want to commit suicide because, he argues, doing so would offend God. He engages in mechanical sex acts with his wife Luann in the kitchen as she prepares dinner. ", He concludes that the film "is a spiritual exploration so profound and complex that it's impossible to take it all in with one viewing a film that can only truly be seen through the eyes of faith, with one foot on Earth and the other in the Kingdom. The Three Burials of Melquiades Estrada (2006) Rated R for language, violence and sexuality 116 minutes Cast Tommy Lee Jones as Pete Perkins Barry Pepper as Mike Norton Julio Cedillo as Melquiades Estrada Dwight Yoakam as Sheriff Belmont January Jones as Lou Ann Norton Melissa Leo as Rachel Directed by Tommy Lee Jones Written by Guillermo Arriaga 1 Winchester Model 70; 2 Taurus Model 66; Though it had some one-week. Add widgets to change what appears here. For Belmont, this is a quest for his version of manhood, one that doesnt question his authority, one that allows him to be his whining himself, slightly feminine. The Three Burials of Melquiades Estrada (2005), is a Post/Neo Western movie, directed and acted by Tommy Lee Jones. A grave is just a hole in the ground, but a burial implies rite and ritual; headstones, tombstones or other markers to let people know the identity of the bones in that hole in the ground which was once a person. As with O'Connor, these brutalities are anything but random. With Gossip of the Gospel, the Church Grows in Nepal, After Pushing for UMC Unity, Former Bishop Joins New Denomination, I Was the Proverbial, Drug-Fueled Rock and Roller, Everything Everywhere All at Once and the Beautiful Mystery of Gods Silence. ", But he concludes that the "extremity" of Jones' film "goes beyond what even O'Connor's gothic would require," and that "the film's biggest weakness is Mr. Jones' willingness to push those elements too far. Of grace? His craggy face seems like it was etched just for a movie like this, and its expressiveness allows him to communicate much while saying little. Some mainstream critics agree that Jones has taken a significant step forward in an already admirable career. In The Three Burials of Melquiades Estrada, why did "Melquiades" lie to his friend about having a wife and kids in an imaginary village called "Himenez"? - Sony Pictures Classics ", Andrew Coffin (World) calls the movie "a remarkable extension of O'Connor's grand Southern gothic tradition. He soon will be. Mike gags as he digs up the body, and Pete is practical about the problems they face: He fills the corpse with anti-freeze. The Three Burials of Melquiades Estrada, the directorial debut of weather-beaten actor Tommy Lee Jones, is in many ways a remarkable extension of O'Connor's grand Southern gothic tradition. Tommy Lee Jones wrote his Harvard thesis on Catholic writer Flannery O'Connor. Not only does Three Burials explode such stereotypes - it explodes the whole notion of a "border" through its presentation of various characters and their relationships, all of which cross "borders" of one kind or another: marital, lawful, political, social, economic, cultural, or racial. The film's plot is very similar in some ways to Peckinpah's Bring Me the Head of Alfredo Garcia (1974) as both movies include the transportation of a corpse in Mexico and the gradual development of a relationship between the body and its transporter, and in both films the transporter and the deceased had a relationship with the same woman. We've also been introduced to a superb cast of supporting players, including Rachel (Melissa Leo), a middle-aged waitress who sleeps around with Pete and just about anyone else she can round up; Lou Ann (January Jones), a bored housewife whose only desire is to find a good shopping mall; and Mike (Barry Pepper), Luann's sex-hungry husband and an unorthodox member of the border patrol. Now Mike is going to dig up Melquiades body, and the two men are going to ride into Mexico, return the dead man to his village, and give him a proper burial. He clearly views the world through a pair of O'Connor shaded glasseshe views humanity as twisted and ridiculously monstrous creatures that seem hell-bent on their own destruction. When the younger gentleman, a Mexican alien named Melquiades Estrada (Julio Cesar Cedillo), is shot, the otheran aging, irascible fellow named Pete Perkins (Tommy Lee Jones)determines to find the shooter and deliver some good old-fashioned justice. Here he plays Pete Perkins, the hard-working operator of a small cattle operation, who hires an illegal Mexican immigrant named Melquiades Estrada (Julio Cedillo) to work as a cowboy for him. Despite the hype, which characterizes Ang Lee's "gay cowboy movie" as a celebration and affirmation of homosexuality, the story is something altogether different.